|本期目录/Table of Contents|

元散曲中的渔父形象(PDF)

《内蒙古大学学报(社会科学版)》[ISSN:1000-9035/CN:22-1262/O4]

期数:
2019年03期
页码:
79-84
栏目:
文学研究
出版日期:
2019-05-15

文章信息/Info

Title:
The Images of Fishermen in Sanqu Songs of the Yuan Dynasty
作者:
刘方园
南开大学文学院,天津 300071
Author(s):
LIU Fang-yuan
School of Literature, Nankai University, Tianjin 300071, China
关键词:
元散曲渔父形象
Keywords:
The Sanqu Songs of the Yuan Dynasty fisherman image
分类号:
-
DOI:
-
文献标识码:
A
摘要:
元散曲中的渔父形象有着多重意蕴,他们是“不识字渔樵士大夫”,是清闲自在的乡野村夫,是寂寞飘零的“野客”,是远离红尘的仙人逸士,是历史兴衰的见证者。这与前代文学作品中的渔父形象相比更富动画感,由“隐逸”转向“乐闲”,由“清新”转向“野逸”。与同时期的元诗,尤其是题画诗相比,在渔父的形象设置、创作主题、描述手法、诗画关系等方面,两者有交叉,又各具特点。
Abstract:
The images of fishermen in Sanqu Songs of the Yuan Dynasty have multiple meanings. They are "illiterate fishermen literati and officialdom", free and easy villagers, lonely roamers, immortals who are far from the common world, and the witnesses to the history. Compared with the images of the fishermen in the previous dynasties, they are more animated, shifting from "seclusion" to "leisure" and from "freshness" to "wild ease". There are many overlaps in terms of the setting of the fishermen images, the creation themes, the description techniques, and the relationship between poetry and paintings between the Sanqu Songs and the Yuan poems, but they have their own distinctive characteristics.

参考文献/References

[1]隋树森.全元散曲[M].北京:中华书局.1964.
[2]唐圭璋.全宋词[M].北京:中华书局,1965.
[3]〔宋〕陈师道撰,〔宋〕任渊注,昌广生补笺,昌怀辛整理.后山诗注补笺[M].北京:中华书局.1995.
[4]杨镰.全元诗[M].北京:中华书局.2013.

备注/Memo

备注/Memo:
收稿日期:   2019-02-01
基金项目:    国家社科基金重大项目(项目批准号:18ZDA340)
作者简介:    刘方园,女,河南孟津县人,南开大学文学院,博士研究生。
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