|本期目录/Table of Contents|

文同枯木题材“诗意画”及诗学意义(PDF)

《内蒙古大学学报(社会科学版)》[ISSN:1000-9035/CN:22-1262/O4]

期数:
2016年01期
页码:
94-98
栏目:
文学研究
出版日期:
2016-01-30

文章信息/Info

Title:
A Study of Wentong’s Dead Wood Theme Poetic Painting and Poetic Meaning
作者:
于广杰
河北大学文学院,河北  保定  071002
Author(s):
YU Guang-jie
College of Literature, Hebei University, Baoding  071002,China
关键词:
文同枯木“诗意画”士人画
Keywords:
Wentong dead wood Poetic Painting Literati painting
分类号:
-
DOI:
-
文献标识码:
A
摘要:
“枯木”题材“诗意画”是北宋诗画交融之文人墨戏的重要类型,源于盛唐以来山水画中的寒林古木和松石小景,而新变于文同。他的“枯木”绘画一变唐法,描绘古木全景,以竹石点缀其间,奇古简重,意兴盎然,与其诗歌创作同一机杼,是其学养品德、志趣性情的诗意表现。文同的“枯木”绘画,下开苏轼之枯木怪石,为诗画交融的诗学思想和艺术实践拓开了新的意境空间,丰富并推动了北宋“诗意画”创作的发展。
Abstract:
The dead wood theme Poetic Painting is important type of Poetry and painting blend of scholar  MoXi in the North Song Dynasty. From the image of Wintry and conifers which play an important role in landscape panting. His "dead wood" changed the painting techniques of Tang Dynasty painters, depicted the dead wood in panorama mode, and decorated with bamboo and stones. Compared with his poems, the dead wood theme Poetic Painting pinned with the same temperament and charm. Wen Tong’s "dead wood" Painting opened up new mood space, enriched and promoted the development of poetic painting in the Northern Song Dynasty.

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备注/Memo

备注/Memo:
收稿日期:2015-07-25
基金项目:中国博士后科学基金面上资助项目(项目批准号:2014M561173)
作者简介: 于广杰,男,河北沧州市人,河北大学文学院,副教授。
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