|本期目录/Table of Contents|

曾巩尚意诗学思想及诗歌风貌(PDF)

《内蒙古大学学报(社会科学版)》[ISSN:1000-9035/CN:22-1262/O4]

期数:
2014年04期
页码:
50-55
栏目:
文学研究
出版日期:
1900-01-01

文章信息/Info

Title:
Zeng Gong’s Shangyi Poetic Thought and Poetic Styles
作者:
于广杰
南开大学文学院, 天津 300071
Author(s):
YU Guang-jie
School of Literature, Nankai University, Tianjin 300071, China
关键词:
曾巩尚意诗学
Keywords:
Zeng GongShangyipoetics
分类号:
I206.2
DOI:
-
文献标识码:
-
摘要:
曾巩"尚意"的诗学思想根底于"六经",以表现其醇儒的人格胸次和修养践行境界为主要内容,形成了一种冥搜狂思的观物致思方式。曾巩从儒者心性和人格意趣的表达出发,重意不废文而尚自然畅达,是北宋"尚意"文艺思潮的重要组成部分。其诗冥搜博取,追求理致,因意的高古和人格的傲兀而表现出高古莽苍、磊嵬雄放的诗境;其清幽闲旷处,亦有清健平实之风。其诗学思想为宋调的形成开辟了另一种道路。
Abstract:
Zeng Gong’s poetic thought, Shangyi , is based on the six classics. Its main point presents pure Confucianism and an artistic conception about cultivating his moral character. Moreover, it produces a kind of lyrical manner and meditating on scenes. Zeng Gong started with Confucian temperament and personalistic interest and charm, valuing careless naturalism with obeying character. This was a significant element of the Northern Song artistic ideology trend of Shangyi . His poetry draws materials profoundly and widely. Due to his elegant and vintage mind, noble and distinctive character, his poetic conception showed ancient mist and heroism. Meanwhile, its quiet and leisure part contained natural and fresh styles. Zeng Gong’s works opened up another way for the melody formation of Song.

参考文献/References

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[5] 张毅.宋代文学思想史[M].北京:中华书局,2006.
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备注/Memo

备注/Memo:
收稿日期:2014-1-5;改回日期:。
作者简介:于广杰,男,河北沧州市人,南开大学文学院博士后流动站,研究人员,讲师。
更新日期/Last Update: 1900-01-01