|本期目录/Table of Contents|

屈原《九歌》创作新探(PDF)

《内蒙古大学学报(社会科学版)》[ISSN:1000-9035/CN:22-1262/O4]

期数:
2014年04期
页码:
45-49
栏目:
文学研究
出版日期:
1900-01-01

文章信息/Info

Title:
A New Exploration into the Specific Creation Situation of Qu Yuan’s Nine Songs
作者:
杜学林
西北大学文学院, 陕西 西安 710127
Author(s):
DU Xue-lin
Faculty of Liberal Arts, Northwest University, Xi’an 710127, China
关键词:
屈原《九歌》国家祀典三闾大夫
Keywords:
Qu yuanNine Songsnational ceremonySanlv Dafu
分类号:
I206.2
DOI:
-
文献标识码:
-
摘要:
通过探究《九歌》的性质、屈原在怀王朝的任职、《九歌》内在系统存在的矛盾及屈原与《九歌》的关系等问题,我们认为,《九歌》为屈原任三闾大夫时所作。这些作品作为一个整体并非作于一时一地,其祭天神、地祇的九篇为屈原初仕怀王时依据民间祭歌所加工整理的国家祀典,《国殇》《礼魂》则是丹阳、蓝田大战后屈原再次被起用以三闾大夫身份所作祭奠两次大战中阵亡将士的祭歌,后来二者合流,最终形成现在我们所看到的《九歌》。
Abstract:
Through inquiry of the nature of Nine Songs , the officeholding of Qu Yuan in Huaiwang Dynasty, the existing system of internal contradictions in Nine Songs and the relationship between Qu Yuan and Nine Songs , we found that Nine Songs was written during Qu Yuan was in the office of Sanlv Dafu. Nine Songs as a whole did not make for a time. The works about the worship of heaven God were based on folk songs. National Martyr and Ceremony of Soul were written after the Danyang and Lantian wars, and they were regarded as the sacrifice songs for the soldiers who died in the wars. Afterwards, these two works were combined to form Nine Songs .

参考文献/References

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备注/Memo

备注/Memo:
收稿日期:2013-12-21;改回日期:。
基金项目:陕西省十二五规划重大古籍整理项目(项目批准号:SG13001·集069)
作者简介:杜学林,男,河南新乡市人,西北大学文学院,博士研究生。
更新日期/Last Update: 1900-01-01