|本期目录/Table of Contents|

姜夔书法与诗法的融通观照(PDF)

《内蒙古大学学报(社会科学版)》[ISSN:1000-9035/CN:22-1262/O4]

期数:
2014年01期
页码:
84-90
栏目:
文学研究
出版日期:
1900-01-01

文章信息/Info

Title:
Fusion Understanding of Jiang Kui’s Poetics and Calligraphy Theory
作者:
杨万里
南开大学文学院, 天津 300071
Author(s):
YANG Wan-li
School of Literature, Nankai University, Tianjin 300071, China
关键词:
姜夔诗法书法融通
Keywords:
Jiang Kuipoetry thoughtscalligraphy theoryfusion
分类号:
I206.2
DOI:
-
文献标识码:
-
摘要:
姜夔以"精神"、"风神"论书和以"气象"、"韵度"论诗,在根本上都是主体神采风貌的体现。诗书可观人之精神性情,创作者的涵养直接决定诗书的意格。作诗须含美刺义理,书写须依点画施设情理,诗书虽形式变化多端而义理法度不可乱。同时,他又主张不被重形式之今法所缚,精思悟入以自成一家。书论中笔法的萧散洒落、"尽字之真态"和诗论中的"天籁自鸣"、"无见乎诗",均通向了"自然高妙"的审美旨趣。在反对雕刻、"剥落文采"之后,最终形成了中和平淡的美学风格。
Abstract:
Jiang Kui made comments on poetry by "atmosphere" and "rhyme",and meanwhile he used "Aeolus" and "spirit" to criticize the calligraphy.Fundamentally they are the reflection of author’s spiritual style.Therefore,the author’s excellent character directly decided the character of his poems and calligraphy.Jiang Kui claimed that poetry must convey praise or satire.Moreover,the dots and strokes of calligraphy should stand to reason.Although the form of poetry and calligraphy most be changeable,the argumentation law cannot be broken.He advocated not to take off from the ancient law while not to be bounded by recent law.So the writer must think carefully in order to understand and to acquire something.In his theory of calligraphy,he holds the style of writing,mixed square and round,degage and elegant,and the poetics of "ringing like the sounds of nature", and "not seeing poetry".All these pointed to natural aesthetic pursuit,and eventually formed neutral and wateriness aesthetic style.

参考文献/References

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备注/Memo

备注/Memo:
收稿日期:2013-8-1;改回日期:。
作者简介:杨万里,男,河北沧州市人,南开大学文学院,博士研究生。
更新日期/Last Update: 1900-01-01