|本期目录/Table of Contents|

论贾平凹作品视像呈现的空灵意趣(PDF)

《内蒙古大学学报(社会科学版)》[ISSN:1000-9035/CN:22-1262/O4]

期数:
2012年05期
页码:
21-26
栏目:
文学研究
出版日期:
1900-01-01

文章信息/Info

Title:
On the Ethereality of the Visual Images in the Works of JIA Ping-wa
作者:
黄世权
广西师范学院文学院, 广西桂林 530001
Author(s):
HUANG Shi-quan
College of Liberal Arts of Guangxi Teacher’s College, Guilin 530001, China
关键词:
贾平凹视像呈现白描空灵意趣
Keywords:
JIA Ping-warepresentation of visual imageline drawingethereality
分类号:
I206.7
DOI:
-
文献标识码:
-
摘要:
贾平凹的作品在视像呈现方面,更多地吸取了中国古典绘画和戏剧的视觉呈现方式,主要是以白描和留白的方式,造成人物视像的空灵意趣。早期小说采用白描的手法,注重人物的传神写照;中期在城市小说如《废都》、《白夜》采用了现代摄影技术的呈现方式突出女性角色的性感体征;在后期的乡土叙事中又回归传统的写意方式甚至达到泼墨的苍茫意境。这种处理方式有效地服务于贾平凹意象与写实结合的艺术原则。
Abstract:
In the representation of visual image,JIA Ping-wa inherits the wayof the Chinese classical painting and drama characterized by line drawing and word leaving,so as to make the ethereality of visual image. In his former fictions,JIA Ping-wa used the way of line drawing focusing on the showing the spiritual traits of characters,and in his middle period fictions,JIA Ping-wa used the skill which comes from modern photography focusing on the sexual traits of the female characters,and finally,in his latest rural fictions,JIA Ping-wa returns to the traditional lyrical method which intends to be artistic atmosphere,and this method helps to advance the working principle which blends the Image with Realism.

参考文献/References

[1] 贾平凹. 贾平凹文集:第6 卷[C]. 西安:陕西人民出版社, 1998.
[2] 贾平凹. 浮躁[M]. 北京:作家出版社, 1987.
[3] 贾平凹. 废都[M]. 北京:北京出版社, 1993.
[4] 贾平凹. 白夜[M]. 北京:华夏出版社, 1995.
[5] 贾平凹. 秦腔[M]. 北京:作家出版社, 2005.

备注/Memo

备注/Memo:
收稿日期:2011-11-8;改回日期:。
作者简介:黄世权,男,湖南桂东市人,广西师范学院文学院,副教授,博士。
更新日期/Last Update: 1900-01-01