|本期目录/Table of Contents|

从历史寓言走向文化寓言——新世纪内蒙古草原电影创作的审美转型(PDF)

《内蒙古大学学报(社会科学版)》[ISSN:1000-9035/CN:22-1262/O4]

期数:
2011年05期
页码:
18-23
栏目:
蒙古学研究
出版日期:
2011-11-15

文章信息/Info

Title:
Moves from the Historical Fable toward the Cultural Fable——The new century Inner Mongolia prairie movie creates esthetic reforming
作者:
郭培筠
内蒙古师范大学文学院, 内蒙古呼和浩特 010022
Author(s):
GUO Pei-yun
Literature College of Inner Mongolia Normal University, Hohhot 010022, China
关键词:
新世纪草原电影审美转型
Keywords:
new centuryThe prairie filmaesthetic transformation
分类号:
I207"212"
DOI:
-
文献标识码:
-
摘要:
20世纪90年代以塞夫、麦丽丝为代表的蒙古族导演用他们气势宏大的历史题材系列影片蜚声中国影坛。进入21世纪以来,更多的蒙古族导演则将镜头对准草原民族当下的生存状态和现实境遇,即由对草原民族的历史寓言讲述转变为对草原民族文化寓言的书写。而这种审美转型主要体现在三个方面,即:由对历史事件的恢弘展现转向了对当下现实状态的深刻描绘、由对英雄祖先的讴歌赞美转向了对普通牧民生活与命运的关怀、由对草原民族传统艺术及民俗风情的奇观展示转向了对民族性格与文化内涵的深刻揭示。
Abstract:
In the 1990s,Saifu,Mailis became famous in the Chinese Film circle as representative’s Mongolian national minority director with their imposing manner great history theme series movie.Eentering the new century,more Mongolian national minority direct the lens alignment prairie nationality immediately survival condition and the realistic circumstances,namely the prairie nationality’s historical fable narrated that transfers to prairie national culture fable writing,but this kind of esthetic reforming mainly manifests by changes in historical event’s broad development,realistic the condition the profound description,praise immediately to the heroic ancestor’s eulogy changed to the ordinary herdsman life and the destiny concern as well as by the prairie national tradition art and the folk culture marvelous sight demonstrated by changed promulgates three aspects profoundly to the national disposition and the cultural connotation.

参考文献/References

[1] 李道新.当前民族题材电影的文化自觉[N].中国电影报,2010-07-22.
[2] 《草原上的歌者》—塞夫、麦丽丝访谈[J].当代电影,2002,(4).
[3] 邹华芬.我不害怕窥视—哈斯朝鲁访谈[J].电影艺术,2009,(2).

备注/Memo

备注/Memo:
收稿日期:2011-3-5;改回日期:。
基金项目:内蒙古自治区高校人文社会科学民族学重点研究基地项目(项目批准号:09MZXJD011)
作者简介:郭培筠,女,内蒙古呼和浩特市人,内蒙古师范大学文学院,教授。
更新日期/Last Update: 1900-01-01